Shure Beta 56 vs Sennheiser MD421 II on toms. Industry standard dynamic drum microphones


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The MD421 is most often seen on toms or even used for vocals, so it may seem an odd choice for a bass drum mic.


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Kick Drum! What are some fun miking techniques or microphones you use for the kick drum? Here's a few of mine: -MD421 in-kick and AT 4033 out-kick with a u67 about 4 feet back level with the kick. -Build a tunnel with foam gobos around the kick leading out.


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# 1 Worlez 🎙️ Lives for gear 🎧 15 years Kick drum - md421 vs d12e I've always liked the md421 on kick and know it's sound very well. What does the d12e sound like in contrast? Cheers Al Share Reply Quote 2nd January 2011 # 2 Drumsound Gear Guru My Studio 🎧 20 years


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Sennheiser MD 421 microphone, original light gray model. The Sennheiser MD 421 is a German cardioid dynamic microphone, widely used for speech in broadcasting and for music in live concerts and the recording studio.Introduced in 1960, the internal large-diaphragm transducer element of the MD 421 is still produced unchanged by Sennheiser.The MD 421 is considered a classic, an industry standard.


Shure Beta 56 vs Sennheiser MD421 II on toms. Industry standard dynamic drum microphones

The Sennheiser MD421 is a notorious mic with near-perfectly engineered components - its sound and reputation precede it. MD421 II is the next model of one of the most popular dynamic mics on the market. It remains largely the same as the original version, but it's been given a stronger make-over.


UCI Sound Design May 2012

Posted February 14, 2006. We had a small gig this weekend where we had to provide the PA and my drummer decided to rent a MD421 for his bass drum just for kick (pun intended). I was pleasantly surprised. I did have to boost the lows a bit, but the result was a really tight sound that had just the right balance of thump and click (technical.


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Sennheiser M421 as a kick mic? I'm looking for a kick mic, but also something that might have other uses as well. The M421 seems to be regarded as a good all around mic, I would also want to use it on elec guitar amps.


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If I use a RE20, Sennheiser MD421 or Beyer M88 on the kick drum I would use for sure a SubKick to represent the sub frequencies that the kick drum has and are common on a modern jazz record, as those mics are not that responsive in the sub region. So for me it depends on the mic combination and choice, also of course on what the band/artist.


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Check price Audix D6 Kick Drum Microphone Review The Audix D6 kick drum mic is an industry-leading kick drum microphone. Many sound engineers claim this microphone to be their weapon of choice when it comes to capturing the sound of a powerful bass drum.


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While I like the idea of having this mic, I have to think about it's real practical application in my case, which would probably be kick drum, since I don't do much acoustic stuff.there's not much of it out here anyway.


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The mic is fantastic with floor toms, picking up the bass with incredible clarity, and works equally as well on the snares, rack toms, and kick drums.


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A simple budget way to mic drums would be something like your MD421 on kick, the SM57 on snare and two MC-012's X/Yed as overheads. May times I prefer a M201 on snare top and a 57 or something on the bottom (flip the phase). and D112 almost outside of the kick with a MD421 on the inside close to the hammer striking point and MC-012's as.


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Best for toms: Sennheiser MD421-II Best for versatility: Beyerdynamic M201 Best clip-on: Beyerdynamic TG D58 Best kit: Sennheiser e600 Drum Microphone Kit Best budget: Shure DMK57-52 Drum Mic.


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236 Share 17K views 4 years ago Kick drum mic comparison. On the first half of the video you'll hear only the kick mic with no EQ / compression. On the second half there's a drum buss mix.


Kick drum mic shootout Alien8, B52, e602, MD421, CM47fet YouTube

In addition, I set up an MD421 and a KM84 over the top of the kick drum pointing down at the batter head's beater-contact point, along the lines suggested by Robbie Adams and Steve Albini. External miking positions aren't just for when the inside of the drum is inaccessible, though; combining the signals from internal and external mics is.


UCI Sound Design May 2012

The Sennheiser MD421 is a favorite on floor toms for its low-end response. Some engineers like to use a kick drum mike, such as AKG's D112 or Audix's D4 or D6, on the floor tom for extra low-end oomph. Place the mike about 2″ above the drumhead, about two inches in from the rim opposite the player. Angle the capsule down toward the head.

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